Friday, September 19, 2014

Nightmare Before Christmas: Warning, I gush.

  

Image from Pintrest  

Boys and Girls of every age, come follow me to something strange. Come with us and you will see, this film both of Christmas, and Halloween…

This is Halloween, and yet it’s tragedy, poor Jack feels lost as the night draws closed. Searching for answers, the skeleton wonders stumbling upon the strangest wood you ever saw. Through one door, what’s in store, when Christmas becomes Halloween....


In non-rhythmetic turns, Jack Skellington is the Pumpkin King, most popular fright in all of Halloween Town, and very bored. Years and years of the same spooks have driven the skeleton to a deep depression, searching for something to cure this aching emptiness. After wandering aimless in the woods from grief, he stumbles upon a door that leads him to the most joyous of places: Christmas town. Overcome with the abundant joy and cheer of such a place, Jack decides that this (whatever ‘this’ is) is the cure for his sorrows. He stages a pleasant takeover of Christmas that quickly spirals out of control. What’s worse, Halloween staging Christmas, or Sandy Claws in the clutches of the ever terrifying Boogie-Man?
I love the concept just on principle; it’s fun, clever and not too complicated so the kiddies can enjoy it too. Jack’s exploration of Christmas is almost innocent in it’s scientific curiosity, and his humor about taking over it  is so good-natured it’s impossible not to be rooting for him...even if you know it won’t end well. It’s the fact that our hearts are with him that carries the story through to the end, and his classy attitude that keeps him in our good favor. Because, let’s face it, if Jack had been a crass nobody that we hated than we would have been horrified to see him take over the most wonderful time of the year.
In fact, Burton’s trademark of sympathetic characters continues with Jack’s love interest, Sally (one-sided, oh the shame). Sally, the restless, love-sick ragdoll is so sweet and kind, and her wish that Jack would take notice of her feelings is just heart-breaking (at least it was to 16 year old me, your mileage may vary).  Furthermore, the fact that Sally clearly cares about Jack’s wellbeing (sending him food when he’s locked in his house) makes her warnings to him come across less like a mindless nag and more like a carrying wive. All in all, two great characters who balance each other well, and surrounded by some great side-characters too.
That said, there is one issue I have; Oogie-Boogie, namely it’s difficult to decide how to handle him.
On the one hand, he’s a fantastic villain for the setting. Acting as the foil-boogie man to Jack’s more fun and traditional variety, he stands as a great contrast to our main protagonist. His song was fun, and lord only knows what he did to Santa during our time away from him. In his own right, he’s scary, and could very well be a threat to Jack’s Christmas endeavor.
But, on the other hand, it’s difficult to place him in the overall plot of things. While Boogie foiling Jack’s Christmas would have been entertaining, it also could have risked being forced. The actual events that took place fit so well and so smoothly into the plot that I am loath to break it up with some forced “mwahaha” just for the sake of having a villain. I may be miffed that he’s only here at the end of the film, and yet I’m unsure where to put him otherwise.
But I don’t like to nit-pick too much, so we’ll move on. The scenery itself is lovely, as the claymation animators had a hell of a hay-day on both Halloween and Christmas Town. The former is dark, highly textured, and seeped in spooky undertones while the latter is bright, colorful, and smattered with warm colors. One has to appreciate how smooth the motions in this film are, given just how difficult claymation actually is. It’s fluid and fun, you’ll be immersed as soon as the music starts.
And oh the music; Danny Elfman out-did himself.  There’s a variety in the music we’re given, matched perfectly with the specific situation. For Boogie we get a dark, atmospheric Jazz; for Jack’s discovery of Christmas Town, we get a high energy, bright, happy tune to match his curiosity, and many more. I could go on, but I’d be gushing way more than I already am. I think perhaps it’s just better for you to take a listen:

Fluid, fun and even romantic (despite the little interaction between Sally and Jack) I can’t recommend this movie enough; though I suspect several of the internet population have already seen it. Applicable to either the fall or winter holiday, curl up, sing along, and let the touchy-feely vibe get you all warm and fuzzy inside. Who knows, maybe you’ll join the cult that parrots out the songs and find themselves developing crushes on a Skeleton.
Join us, won’t you, in our town of Halloween…




Next Film: The Man Who Fell to Earth (1976)

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